For DonorsFor Applicants
user profile avatar

Zoë Bell

635

Bold Points

1x

Nominee

1x

Finalist

Bio

I am a cellist at Oberlin Conservatory, and am incredibly interested in making the arts (specifically music) more accessible for inner city elementary and middle schools across the country. I spend my summers playing chamber music at Apple Hill Center for Chamber Music (along with other music festivals, as well as working at a summer camp (Young Musicians and Artists, in Salem Oregon). A little bit about myself! My twin brother and I were born and raised in Baltimore, Maryland, by our two mothers. I went to a public arts high school in Baltimore (Baltimore School for the Arts), and was able to attend Interlochen Arts Academy for my senior year of high school. I love music, nature, my family, and giving back to the communities I am a part of. In the future, I look forward to attending grad school to refine my cello playing and become a more experienced and educated arts educator.

Education

Oberlin College

Bachelor's degree program
2019 - 2023
  • Majors:
    • Music
  • Minors:
    • Education, Other

Interlochen Arts Academy

High School
2015 - 2019

Miscellaneous

  • Desired degree level:

    Master's degree program

  • Graduate schools of interest:

  • Transfer schools of interest:

  • Majors of interest:

  • Not planning to go to medical school
  • Career

    • Dream career field:

      Arts Education

    • Dream career goals:

      Creative Director of a non-profit (inner-city) arts organization

      Future Interests

      Advocacy

      Volunteering

      Entrepreneurship

      Devin Chase Vancil Art and Music Scholarship
      I started playing the cello at the age of four, at a community music program in Baltimore, Maryland. I went on to continue taking private lessons outside of school as my school didn’t offer any additional music classes other than the standard curriculum of a small classroom choir occasional drum circle. I went to a public charter school and can confidently say the funding for arts was slim. I kept playing cello though, determined to get everything I could out of it. I got into BSYO (Baltimore Symphony Youth Orchestras) in the sixth grade and played with them until my junior year of high school, this shaped my playing in orchestra and chamber music for the better but still wasn’t enough to get me at the level I needed. My goal was conservatory. The cost was already a strain on my one-income (middle class) household and entering Peabody Preparatory academy at the Peabody Institute of Music at Johns Hopkins was not an option. I would watch videos of cellists my age and wonder what I was doing differently to where they were so much more technically proficient and playing lots of recitals, or even winning competitions. BSA was an incredible experience, we were given masterclasses with cellists from the Baltimore Symphony Orchestra, ample performance opportunities, and even interdisciplinary experience. I decided to leave BSA and try to get into Interlochen Arts Academy because my good experience got less and less as I was there. I wanted to get into a conservatory, but most of my teachers told me I wasn’t going to be good enough because I didn’t have the experience. I was compared to the Peabody Prep. students in the cello section. This infuriated me. So I applied to Interlochen, and got in. I had to appeal about three times for financial aid, but when I got there I was finally given the treatment every young musician deserves: teachers who believe in them, and have the resources to believe in them. I believe that the arts are important to society because of this, as well as first-hand experience working in schools that don’t have well-represented arts programs. The reason that most symphonies are predominantly white is not a coincidence, most of these people had access and were given equal opportunity from a young age. It is infinitely harder for a young black student to look at a symphony orchestra and be inspired by the players if none of them look like this kid. If there is no exposure to that kind of music or those instruments to demographics that aren’t white and male then symphonies will continue to look the same. Organizations like Sphinx are doing this work through touring, holding masterclasses, hosting competitions. This promotes Black and LatinX voices in classical music settings and gives these underrepresented voices resources that will develop their musical careers. I want to be a part of this movement, at the level that I can be. Teaching music in schools, introducing every student that wants to the musical level they can be a part of. I don’t believe anyone is born with a gift, one thing that means they will be an incredibly musician. I believe that every single person who picks up an instrument with love for it and motivation is capable of anything, all they need are the resources and people to be available to them.